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He started, and after he had travelled some time he saw a woman standing not far from the trail. She called to him, saying, "Come here, young man, come here; I want to wrestle with you." "You needn't tell me that. I'm positive they couldn't be named in the same day," says Geoffrey, enthusiastically, who never in his life saw Lady Crighton, or her neck or arms. Mona accepts this excuse for bygone injustice, and even encourages her mother-in-law to enlarge upon it,—seeing how comfortable it is to her so to do,—and furthermore tries hard in her own kind heart to believe in it also..
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The Rodneys are, for the most part, in the library, the room dearest to them. Mona is telling Doatie's fortune on cards, Geoffrey and Nicholas are discussing the merits and demerits of a new mare, Lady Rodney in still struggling with the crimson sock,—when the door is opened, and Nolly entering adds himself to the group. He actually laughs, though faintly, and Mona looks up. Perhaps he has forced himself to this vague touch of merriment (that is even sadder than tears) just to please and rouse her from her despondency,—because the laugh dies almost as it is born, and an additional pallor covers his lips in its stead. "This spot always brings to my mind the thoughts of other people," says Mona, softly. "I am very fond of poetry: are you?" It is midday, and Geoffrey, gun in hand, is idly stalking through the sloping wood that rises behind Mangle Farm. The shooting he has had since his arrival in Ireland, though desultory,—perhaps because of it,—has proved delightful in his sight. Here coveys come upon one unawares, rising out of fields when least expected, and therefore when discovered possess all the novelty of a gigantic surprise. Now and then he receives kindly warning of birds seen "over night" in some particular corner, and an offer to escort him to the scene of action without beat of drum..
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